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“If you could say it in words, there would be no reason to paint.” — Edward Hopper. Like Hopper, Tzinman finds it difficult to explain his work because it is not necessarily from a logical place. It emerges from a maelstrom of concerns, fascinations and experiences. He says he is exploring the disconnect between reality and the pervasive myths that surround us, questioning our purpose in these turbulent times and determining how we can avoid the emptiness of an unthinking existence. Tzinman’s creative process varies. It starts with an idea, then he works digitally in two or three dimensions. He enjoys using a variety of media, such as acrylics, oils, plastic, collage and metal to construct still pieces and dioramas. For some projects, he works with video and animation to incorporate light and sound to communicate the desired effect.